Under The Hood

This journal is a place to see how things are made and where they come from. It's for sharing musings that span projects; unpacking the problems our new machines solve; and celebrating freshly-minted installations. Dive in for offbeat ideas, behind-the-scenes stories, and updates from the studio.

 
Press Nikolas Weinstein Press Nikolas Weinstein

State of the Art

Small Firms, Great Projects, a publication by the American Institute of Architects in San Francisco has featured our work in their 19th Edition, released in September 2024 in the State of the Art section.

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A New Take On Nikolas Weinstein

Hello, Emily here. I thought seeing this recent sculpture from an outsider’s perspective might be a nice way to present this new piece from Nikolas. So I spoke with HL Lim, a founder of LTW Design Works in Asia about his partnership with Nikolas on the Shangri-La Hotel Midtown in Hangzhou.

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Jakarta is "Live"

Just before Christmas, we completed our largest and most complex installation to date. We are now emerging from our new year's slothdom to announce that the Noble House Sculpture is airborne!

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Louis XIV Comes to the Studio

Glass conducts light more efficiently than any other material. This efficiency is why glass holds so much dynamic potential for sculpture; by constantly changing the sculpture with the passage of natural light throughout the day.

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Weinstein and Warwick Take It On The Road

Every summer the Glass Art Society [GAS] holds their annual conference in a different US city. This year the theme for the conference was "Glass, Art, and Technology." This was a great fit for us and we were pleased they invited Nikolas to speak. His lecture was titled, “Engineering Art.”

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Uncle Sam Drops In to Say "Hi"

Shortly before quitting time on Monday, the Under Secretary of Commerce for International Trade from the United States Commerce Department dropped by to present us with an award for export achievement.

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Grasshopper Geekery

Most of us here at the studio are, to one degree or another, geeks. We're constantly swapping youtube videos of interesting machines, we huddle eagerly around any new tool that comes into the studio, we throw around jargon like "oval sleeve" and "durometer" and "bullnose" and "inclinometer" with wild abandon, and we love McMaster-Carr almost more than life itself. And we use CAD. A lot. And more and more as we find (and invent) new uses for it.

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